Rich wrote:
> 5. Tiffen is trash. They cause reflections, have poor optical
> quality and can drop the incoming light by 1/3-1/2 an f-stop.
I don't believe that the clear filters could possibly be dropping
visible light by 1/3 of an f-stop. A bit under 1/6th of a stop is
likely for an uncoated filter. If you are measuring more then your
light meter may have some UV sensitivity (very possible) and the
filter is doing what a UV filter should do.
The Haze-1 Tiffen filter is more effective at actually blocking
UV than the dyed-in-the-mass glass filters sold by others.
If you actually need to block UV for some reason, it could
be a good choice. Many (most) of the Tiffen filters are made
with two pieces of glass cemented together with the cement dyed
with the Kodak Wratten series of dyes. The old way of making
sandwich filters involved having a gel filter cemented between
two pieces of glass, but I believe that on modern Tiffens it
is usually the optical cement itself which is dyed. The Kodak
Wratten series dyes tend to be the best filters as far as actual
filtering is concerned. Some dyes can be used for gelatin
or adhesive which can't be used in the glass itself.
I understand that Tiffen make a special grade of filter in
Series 9 size (I think) for the motion picture industry which
uses a higher grade optical glass than their usual filters,
but they aren't cheap.
> 8. There is no need nowadays to filter UV light with digitals.
I think that is generally true. Lots of modern films also include
fairly effective UV blocking layers.
Peter.
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